Vermont Magazine

The Dipper - November 2020

"The Dipper" is our monthly newsletter, where we highlight readings, events, calls for submission, and other literary-related news for the coming month. If you have news or events to share, let us know

November News

Thank you to everyone who attended Sierra Crane Murdoch’s talk in October. What a wonderful night! A huge thanks to Allie Levy of Still North Books for hosting via Crowdcast and to Angela Evancie of Brave Little State for interviewing Sierra. If you missed the event, you can still catch the replay. Don’t forget to pick up your copy of Sierra’s fantastic book, Yellow Bird.

 
Angela Evancie and Sierrra Crane

Angela Evancie and Sierrra Crane

 

In case you missed them, in October we added three new interviews to our blog with writers whose recently released books we really love.

FieldMusic.jpg
  • First, we welcomed a guest interviewer: poet, teacher and bookstore owner, Rena Mosteirin, who interviewed poet Alexandria Hall about her evocative debut poetry collection, Field Music (Ecco, October 6), which won the 2019 National Poetry Series award selected by Rosanna Warren. In their discussion, Alexandria and Rena talk about the musical quality of the poems in Field Music, the influence of writing in Vermont, and the best writing advice Alexandria’s ever gotten in a workshop.

Beneficence.jpg
  • We also interviewed writer Meredith Hall about her first novel, Beneficence (Godine, October 20), a quiet, unputdownable novel that focuses on the Senters, a farming family in rural Maine over the course of many years. Reminiscent of Wendell Berry and Marilynne Robinson, Hall’s writing is truly beautiful. Read our interview with Meredith to learn how the Senter family came into being, the role of light in her book, and what books she’s really loved recently.

Atomizer.jpg
  • And we interviewed Elizabeth Powell about her latest collection of poetry, Atomizer (LSU Press, September 9), an expansive, honest, and often very funny exploration of life and love in the digital age. Whether she’s writing about the perils and humor of online dating, the insidious workings of capitalism in our cultural and political lives, or her childhood memories of perfume and fashion, these poems are intelligent, accessible, and riveting. Read our interview with Liz to learn how her posh Parisian stepmother provided her early education in perfume, and the connection between her grandfather and Robert Frost.

p.s. Did you know that you can see a list of everything we’ve ever published on our blog on our handy Blog Post Directory? You can easily find back issues of The Dipper, all of our interview posts, reading lists, Friday Reads suggestions, and more!

After a very busy several months of virtual events and other projects, we’re looking forward to having a quiet end to the year. Among other things, fewer projects means we’ll have more time to spend reading our final Slow Club Book Club selection, Dionne Brand’s The Blue Clerk.

But never fear! We are busy making plans for next year. In fact, we’re getting ready to announce a new Constellation community writing project in early 2021. Newsletter subscribers will be the first to find out the details.

As this newsletter goes to press, our thoughts, of course, are turning to the events of early November (please tell us you all have voted or have a voting plan), the imminent winter, and the coming holiday season, which, like the rest of 2020 will be oh-so-strange.

One thing we know we can do for ourselves, our loved ones, and our local community is to give each other beautiful, meaningful (and sometimes distracting) books we purchase from independent bookstores. In the coming weeks, we’ll be highlighting some of our favorite books by local authors, our favorite books of 2020, and some favorites of our local independent booksellers. Watch our Twitter and Instagram feeds in November to see these special holiday book shopping suggestions.


November’s Shooting Stars

A cool literary find from each of us to help light up your month!

Star.png
  • If you haven’t seen the new Sundog Poetry Center website, I encourage you to take a look. The redesign is wonderful. While there, you can check out their new virtual event series, Two Poets, Two Books, and read more about the Vermont Book Award. —Shari

  • Do you know Emergence Magazine? I landed there accidentally by way of a series of links that led me to this magical multimedia poem by Forrest Gander and Katie Holten. And then the “Language Keepers” podcast series about the struggle for indigenous language survival in California caught my little linguistic eye, and, yeah, I think I’ll be spending some time there. —Rebecca


November Highlights

Christa Parravani will be in conversation virtually with author Merritt Tierce to discuss Parravani’s new memoir, Loved and Wanted, via Northshire Live on November 10 at 6:00 pm.

Terese Mailhot

Terese Mailhot

Poets Elizabeth Powell and Anna Maria Hong will read as part of the new Sundog Poetry virtual series, “Two Poets, Two Books,” on November 11 at 7:00 pm.

On November 12 at 4:45 pm, join poets Forrest Gander and Nicole Sealey for an online reading and Q&A via Dartmouth College’s Leslie Center for the Humanities.

Terese Mailhot is giving a virtual reading and craft talk through Vermont Studio Center on November 13 and 14, respectively. The reading will begin at 7:00 pm and the craft talk starts at 10:00 am. (Slow Club Book Club members, take note!)

Poets Chen Chen and Jennifer Militello read as part of the virtual Loom Poetry Series via Toadstool Bookshop on November 15 at 4:30 pm.

Chen Chen

Chen Chen

On November 19 at 7:00 pm, François S. Clemmons, who played Officer Clemmons on Mister Rogers’ Neighborhood, reads from his memoir as part of Virtual Bookstock 2020.

Shawn Wong and Miciah Bay Gault will participate in the Vermont College of Fine Arts Fall Reading Series on November 20 at 5:30 pm. The event includes a round-table discussion on publishing with several agents from Folio Literary Management.

Visit our calendar for detailed information about these events and more!


Worth a Listen

  • What a treat to hear Ocean Vuong read a new poem (“Beautiful Short Loser”) and talk about his writing practice on In the Studio.

  • Rumaan Alam talks to Christopher and Drew of So Many Damn Books about his latest novel, Leave the World Behind.

  • Ali Smith talks with Linn Ullmann about her seasonal quartet of novels on the How to Proceed podcast.


We're Looking Forward to These November Releases

Aphasia.jpg
  • Theorem, by Elizabeth Bradfield and Antonia Contro (Poetry Northwest Editions, November 1)

  • Aphasia, by Mauro Javier Cardenas (FSG, November 3)

  • To Be a Man, by Nicole Krauss (Harper, November 3)

  • The Office of Historical Corrections, by Danielle Evans (Riverhead, November 10)

  • Loved and Wanted, by Christa Parravani (Henry Holt & Co, November 10)

  • Self-Portrait, by Celia Paul (NYRB, November 10)

  • The Sun Collective, by Charles Baxter (Pantheon, November 17)


Calls For Submission and Upcoming Deadlines

Bennington Unbound
November 15 to December 15

This four-week intensive online courses in fiction and nonfiction is geared toward current college and college-ready students considering an academic gap year or looking to supplement their current coursework. The courses are taught by Bennington’s award-winning graduate and undergraduate writing and literature faculty. Weekly live video class meetings foster an intimate seminar experience. Web-based discussion forums and unique multimedia resources extend the classroom community. All students will write both creatively and critically. Students earn one college credit per course.
Deadline: November 8 | Cost: $600/course | Details

New England Review
New England Review is open for nonfiction submissions and for their digital “Confluences” series. For nonfiction, NER accepts a broad range, including dramatic works, essays in translation, interpretive and personal essays, critical reassessments, cultural criticism, travel writing, and environmental writing. The word limit is 20,000. For “Confluences,” they are seeking brief essays (500 to 100 words) in response to a book, play, poem, film, painting, sculpture, building, or other work of art.
Deadline: November 15 | Details

Sunken Garden Chapbook Poetry Prize
Open to anyone writing in the English language, the Sunken Garden prize includes includes a cash award of $1,000 in addition to publication by Tupelo Press, 25 copies of the winning title, a book launch, and national distribution with energetic publicity and promotion. Manuscripts are judged anonymously and all finalists will be considered for publication. This year’s final judge is Mark Bibbins.
Deadline: November 30 | Details

Bloodroot Literary Magazine
Bloodroot is now accepting new, unpublished poetry, fiction, and essays for its spring 2021 issue. Send a Word document including 3 to 5 pages of poetry or 10 to 12 pages of fiction and nonfiction. For anything outside that scope, like an experimental form or digital project, please send a one-page proposal and they will be in touch if we want to see more.
Deadline: December 15 | Details

The Dorset Prize for Poetry
Tupelo Press is seeking submissions of previously unpublished, full-length poetry manuscripts. The prize is open to anyone writing in the English language. This year’s judge is Tyehimba Jess. The winner receives a $3000 cash prize and a week-long residency at MASS MoCA, in addition to publication by Tupelo Press, 20 copies of the winning title, a book launch, and national distribution with energetic publicity and promotion.
Deadline: December 31 | Details

Vermont Writers’ Prize
The Vermont Writers’ Prize is accepting essays, short stories, plays, or poems on the subject of Vermont: its people, its places, its history, or its values—the choice is yours! Entries must be unpublished and 1,500 words or less. The Writers' Prize is open to all Vermont residents and students except for employees of Green Mountain Power and Vermont Magazine. Please submit only one entry.
Deadline: January 1 | Details

The Frost Place Chapbook Competition
The competition is open to any poet writing in English. The selected winner’s chapbook will be published by Bull City Press in the summer following the competition. The winner receives 10 complimentary copies (from a print run of 300), a $250 prize, full scholarship to attend the Poetry Seminar at The Frost Place, including room and board, and gives a featured reading from the chapbook at the Seminar. $28 entry fee.
Deadline: January 5 | Details

Zig Zag Lit Mag Issue.10
Submissions are open for Issue.10 for those who live, labor, or loiter in Addison County, Vermont. Zig Zag accepts submissions in any genre and topic, including fiction, nonfiction, dramatic forms, and poetry. They also accept art. You can submit up to three pieces of writing and/or art.
Deadline: January 5 | Details

Crossroads Magazine
The independent, student-run magazine based out of Burlington, Vermont, accepts very short fiction and poetry, 300 words or fewer. Submissions should be in Word or typed directly into an email. No PDFs, please.
Deadline: rolling submissions | Details

Dartmouth Poet in Residence
The Frost Place’s Dartmouth Poet in Residence program is a six-to-eight-week residency in poet Robert Frost’s former farmhouse. The residency begins July 1 and ends August 15, and includes an award of $1,000 from The Frost Place and an award of $1,000 from Dartmouth College. The recipient of the Dartmouth Poet in Residence will have an opportunity to give a series of public readings across the region, including at Dartmouth College and The Frost Place.
Deadline: none given | Details

Green Mountains Review
GMR is accepting fiction and experimental and hybrid poems. The editors are open to a wide range of styles and subject matter. Please submit a cover letter and include up to 25 pages of prose or up to five poems. $3 submission fee.
Deadline: none given | Details

The Hopper
The environmental literary magazine from Green Writers Press, is accepting submissions of fiction, nonfiction, and poetry. They are interested in work that offers new and different articulations of the human experience in nature, specifically nature writing that is psychologically honest about the environmental crisis and the impacts of mechanical modernity.
Deadline: none given | Details

Isele Magazine
Isele Magazine is seeking submissions of essays, fiction, poetry, art, and photography. You may submit up to 8,000 words of prose, six pages of poetry, or one long poem.
Deadline: rolling submissions | Details

Mount Island digital magazine

To focus on their mission of supporting rural LGBTQ+ and POC voices, most of the submission categories are open only to folks who identify as LGBTQ+ and/or POC and who currently live in or hail from a rural area. They do welcome “allies” who do not identify as LGBTQ+/POC/rural to submit in certain categories, such as interviews, reviews, and blog articles. When such categories are open for “ally submissions,” they are labeled clearly as such.
Deadline: open year-round | Details

Nightingale Review
Nightingale accepts and celebrate all types of literary creative expression from queer authors, including poetry, plays, general fiction, nonfiction essays, and book/movie/music reviews. Both established and unpublished authors welcome.
Deadline: none given | Details

Six-Word Quarantine Stories
Do you have a six-word story about your quarantine to share? Tell yours on social media with the hashtag #quarantinesix, and tag @vtartscouncil so they can share your story, too.
Deadline: none given | Details

Three By Five
Share a small moment—anonymously—that has altered the path of your life. Record it on a 3" x 5" card and mail it to PO Box 308, Etna, NH, 03750. Or, take a photo of your card and email it to .
Deadline: none | Details

Listening in Place Sound Archive
The Vermont Folklife Center invites you to send in recorded interviews and sounds of daily life in an effort to open hundreds of small windows into the experiences of Vermonters during the COVID-19 pandemic. The Vermont Folklife Center will make these recordings available on their website and social media to foster connection and sharing, and will also archive the recordings for posterity.
Deadline: none | Details

Writing the Land
Writing the Land is a collaboration between local land trusts and poets to help raise awareness for the preservation of land, ecosystems, and biodiversity. Poets and land trusts are being enrolled on a rolling basis. They are especially seeking under-represented poetic and environmental voices, but welcome all poets at any stage of their career and would like everyone to contribute to this project. If you are an interested poet, please fill out the information in the contact form on their website or email Lis McLaughlin at . You will need to submit a 50- to 75-word third-person bio, three pieces of work, and list which locations or regions you are willing to travel to.
Deadline: rolling submissions | Details


Upcoming Workshops and Classes

Pioneer Valley Writers’ Workshop
Various dates and times

Pioneer Valley Writers’ Workshop offers a number of online creative writing workshops, including multi-week classes and one-day sessions. Among other workshops, they offer a free online gathering for writers of all levels and genres every first and third Friday of the month. These sessions are a great way to get back into the flow of your work in the supportive presence of other writers. Other workshops beginning in November are on topics that include fiction writing, creating characters, generative translation, memoir, narrative structure, hybrid forms, and much more.
Location: online | Cost: $30 to $275 | Details

Art Meets Expressive Writing Workshop with Vivian Ladd and Joni B. Cole
November 5, 5:30 to 7:00 pm

This workshop fuses explorations of works of art with fun and meaningful expressive writing exercises. No writing experience required, just a willing pen and curious mind.
Location: online | Cost: free | Details

Writing for Healing Workshop with Vicky Fish
Wednesdays, November 11 and 18, December 2, 9, and 16; 6:30 to 8:00 pm

This five-week workshop will create a safe and supportive environment for you to explore your healing through the written word. Through writing we discover and can recover parts of ourselves. Writing taps into our wise unconscious, where healing and hidden resources often reside. Through writing we have a chance to understand our stories and rewrite our stories. During each session, prompts will be offered as the springboard for in-session writing. Sharing will be encouraged but not required. Prompts will also be offered for your own writing between sessions. Preregister by contacting the instructor at .
Location: online | Cost: $165 |

The Fluidity of Memory: Finding Strength in Your Story
November 14, 9:30 am to 12:00 pm
Vermont College of Fine Arts MFA Candidate Ruth Amara Okolo is offering a workshop that gives insights into the importance of creative nonfiction. Through an exploration of the elements of the genre, she presents an approach and technique to creating, writing memories that shows life in all its color, description, and realism.
Location: online | Cost: $25 to 65 | Details

Listening in Place - Thanksgiving Family Interviews
November 14: 10:00 am to 12:00 pm

Part of the Vermont Folklife Center’s Listening in Place initiative developed in response to COVID-19, this workshop covers the basics of recording interviews (online, over the phone or in person within your household if it’s safe to do so). It also introduces the VFC’s Sound Archive, where your interviews and documentary recordings may be submitted to be included in this open access, crowdsourced audio collection of Vermonters’ experiences of pandemic and 2020.
Location: online | Cost: by donation | Details

Everyday Poetry: Accessing the Poetry Within
November 15, 9:30 am to 12:00 pm
Enjoy the art of poetry with Vermont College of Fine Arts MFA Candidate Sara Stancliffe as she unearths why poetry is a life force and examines poetry as an essence. Prepare to demystify poetry in this workshop by beginning with a low-key discussion on what we think poetry is, where it shows up in our everyday lives, and how we might access poetry to elevate our everyday existence. In this workshop, we’ll share music and collectively enjoy sounds of rhythm. This will be a “come as you are” workshop where no prior poetic experience or vocabulary or even passion is needed.
Location: online | Cost: $25 to 65 | Details

Listening in Place - Building Conversations for Civic Action
December 5, 2:00 to 4:30 pm

This workshop focuses on the crises of 2020 as an opportunity to reflect and learn from the social unrest, vulnerabilities and sacrifices experienced across the state and nation. This workshop will introduce and demonstrate the tools of Listening in Place, an initiative of the Vermont Folklife Center, that was launched at the early stages of the pandemic as a way to share our common experience and to create a record of how Vermonters are responding to this unprecedented time. Now calls to support Black Lives Matter and pledge greater commitments to eradicate racism in all its forms have propelled many of us out of lockdown and to re-evaluate how we stand for justice for our communities. This workshop is an open call for anyone who desires to prioritize these concerns.
Location: online | Cost: by donation | Details

Inner & Outer Weather: Character in Fiction
December 12, 9:30 am to 12:00 pm
Join Vermont College of Fine Arts MFA Candidate Jonathan Calloway as he discusses how our stories’ characters, like ourselves, each carry a lifetime’s worth of experience, much of which the outer world is oblivious. Through generative writing exercises and close readings of excerpts from a wide range of fiction authors, you will investigate how perception can be used as a tool to shape evocative environments, sharpen focus, and redefine the boundary between the individual and the whole. You will have the opportunity to share and receive direct feedback from instructors and fellow participants, as well as acquire a set of tools to further your own unique explorations of the caverns of character development.
Location: online | Cost: $25 to 65 | Details

The Dipper - October 2020

"The Dipper" is our monthly newsletter, where we highlight readings, events, calls for submission, and other literary-related news for the coming month. If you have news or events to share, let us know

 

October News

YellowBird.jpg

We are so pleased to bring you another great virtual author event in partnership with Hanover’s Still North Books. On October 14 at 7:30 pm, Sierra Crane Murdoch will be in conversation with Angela Evancie of VPR’s Brave Little State to discuss Sierra’s compelling nonfiction book, Yellow Bird.

Yellow Bird tells the story of Lissa Yellow Bird as she obsessively hunts for clues to the disappearance of Kristopher “KC” Clark, a young white oil worker who worked on the Fort Berthold Indian Reservation in North Dakota. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing. Sierra and Angela’s conversation is bound to be riveting. Register today to attend!

FieldMusic.jpg

Alexandria Hall’s debut book of poetry, Field Music, will be published by Ecco on October 6. Alexandria is a poet and a musician from Vermont (and currently a PhD candidate in California). Publishers Weekly calls Field Music, “a striking debut…This atmospheric collection will transport readers to Hall’s layered landscapes.”

We are so fortunate that Alexandria agreed do to an interview with us, and we are equally fortunate that Rena J. Mosteirin enthusiastically agreed to pose the interview questions. The interview will be published on our site on Field Music’s publication day, October 6, so check our blog then.

In Slow Club Book Club news, we recently announced the last book in our year of reading books by Canadian authors: Dionne Brand's 2018 hybrid poetry collection, The Blue Clerk. In this intriguing book—an Ars Poetica in 59 versos—Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages.

A sampling of The Blue Clerk reveals its mesmerizing power. Listen to Dionne Brand read two of the prose poem versos on the Griffin Poetry Prize website (the book was shortlisted for the 2019 prize) and fall under its liquid language spell. We hope you decide to join us in reading The Blue Clerk beginning on October 15. If you do, please let us know; it's nice to know you're out there.


October’s Shooting Stars

A cool literary find from each of us to help light up your month!

Star.png
  • First Wednesdays from Vermont Humanities are back, beginning October 7. This time around we are lucky to be able to listen to these lectures from our homes. I’m particularly excited to hear Jarvis Green’s lecture, “Atlantic Is a Sea of Bones” on November 7 We’ve posted the literary lectures from this series in our calendar of events. For the rest (including some really amazing topics from dance and Muhammad Ali to bird migration to food justice), please visit the Vermont Humanities website. —Shari

  • These days I often feel closed, tight, compressed into myself. I need reminders of expansiveness: drop the shoulders from my ears, breathe deeply. The other day I saw a link to a recording of Seamus Heaney reading “Postscript,” one of my favorites of his poems. Rereading it always blows me open, as the last line intends. Hearing Seamus’ own voice makes it even better.—Rebecca


October Highlights

Layli Long Soldier

Layli Long Soldier

Layli Long Soldier will read as part of the virtual Poetry at Bennington series on October 7 at 7:00 pm.

Samantha Kolber celebrates the release of her new chapbook, Birth of a Daughter, with a virtual event at Bear Pond Books on October 9 at 7:00 pm.

Sierra Crane Murdoch discusses her book Yellow Bird with Brave Little State’s Angela Evancie via Still North Books & Bar on October 14 at 7:30 pm.

The Brattleboro Literary Festival takes place virtually this year from October 16 to 18, featuring writers of fiction, nonfiction, and poetry.

Jason Lutes

Jason Lutes

Jason Lutes appears as a part of Virtual Bookstock 2020 on October 15 at 7:00 pm.

Phil Klay will read and discuss his latest novel, Missionaries, on October 16 at 7:00 pm. This online event is presented by both The Norwich Bookstore and Still North Books & Bar.

603: The Writers’ Conferences is online this year on October 17 from 8:00 am to 5:30 pm, with featured speaker Brunonia Barry.

Charles Simic gives a virtual reading sponsored by the Poetry Society of New Hampshire and Gibson’s Bookstore on October 20 at 7:00 pm.

Visit our calendar for detailed information about these events and more!


Worth a Listen

Artwork by Sludge Thunder

Artwork by Sludge Thunder

  • Daniel Hornsby speaks about his debut, Via Negativa, on Marginalia. His new novel was recently recommended by Lauren Groff on Twitter.

  • On the Slow Stories podcast, Sanaë Lemoine discusses her writing process for her debut, The Margot Affair.

  • Middlebury grad Bianca Giaever has a wonderful new podcast for The Believer called Constellation Prize. Five episodes about strangers, religion, poetry, and art are available now.

  • Dustin Schell and Alexander Chee (curators of the Still Queer reading series) were featured on Christine Lee’s podcast, Front Yard Politics, talking about gardening during the pandemic.


We're Looking Forward to These October Releases

TheHole.jpg
  • Mantel Pieces, by Hilary Mantel (Fourth Estate, October 1)

  • Leave the World Behind, by Rumaan Alam (Ecco, October 6)

  • The Hole, by Hiroko Oyamada, translated by David Boyd (New Directions, October 6)

  • The Superationals, by Stephanie La Cava (Semiotext(e)/Native Agents, October 13)

  • Kant’s Little Prussian Head and Other Reasons Why I write, by Claire Messud (W.W. Norton & Company, October 13)

  • The Century, by Éireann Lorung (Milkweed Editions, October 13)

  • The Silence, by Don DeLillo (Scribner, October 20)

  • Divorcing, by Susan Taubes (NYRB Classics, October 27)

  • Memorial, by Bryan Washington (Riverhead, October 27)


Calls For Submission and Upcoming Deadlines

Hunger Mountain Issue 25: Art Saves
Send your manifestos and rhetoric, your stories and poems, your essays and forays into justifying art as an answer to—and escape from?—these trying times: pandemics, forest fires, catastrophe, white-supremacy, murder, burning buildings as the only way to be heard, and fascism. Please submit prose of no more than 8,000 words, or up to three flash pieces all in one document; for poetry, 1 to 5 poems all in one file.
Deadline: October 15 | Details

Sundog Poetry Center’s First or Second Book Award Prize for a Vermont Poet
Sundog Poetry Center is pleased to announce the inaugural book award for a first or second poetry manuscript, in partnership with Green Writers Press, who will design, print and distribute the book nationwide. The final judge is Vermont Poet Laureate Mary Ruefle. A cash prize of $500 will be awarded along with 50 copies. Manuscripts should be between 48 and 64 pages. All submissions must be authored by a poet who resides in Vermont; proof of residency will be requested along with a $20 application fee.
Deadline: October 31 | Details

Sunken Garden Chapbook Prize for Poetry
Tupelo Press’ Sunken Garden Prize seeks submissions of previously unpublished, chapbook-length poetry manuscripts. The prize is open to anyone writing in the English language. This year’s judge is Mark Bibbins. The winner receives a $1000 cash prize, in addition to publication by Tupelo Press, 25 copies of the winning title, a book launch, and national distribution with energetic publicity and promotion.
Deadline: October 31 | Details

New England Review
New England Review is open for nonfiction submissions and for their digital “Confluences” series. For nonfiction, NER accepts a broad range, including dramatic works, essays in translation, interpretive and personal essays, critical reassessments, cultural criticism, travel writing, and environmental writing. The word limit is 20,000. For “Confluences,” they are seeking brief essays (500 to 100 words) in response to a book, play, poem, film, painting, sculpture, building, or other work of art.
Deadline: November 15 | Details

Bennington Unbound
October 15 to December 15

These four-week intensive online courses in fiction and nonfiction (October 15 to November 15, and November 15 to December 15) are geared toward current college and college-ready students considering an academic gap year or looking to supplement their current coursework. The courses are taught by Bennington’s award-winning graduate and undergraduate writing and literature faculty. Weekly live video class meetings foster an intimate seminar experience. Web-based discussion forums and unique multimedia resources extend the classroom community. All students will write both creatively and critically. Students earn one college credit per course.
Deadline: one week prior to the beginning of each course | Cost: $600/course | Details

Bloodroot Literary Magazine
Bloodroot is now accepting new, unpublished poetry, fiction, and essays for its spring 2021 issue. Send a Word document including 3 to 5 pages of poetry or 10 to 12 pages of fiction and nonfiction. For anything outside that scope, like an experimental form or digital project, please send a one-page proposal and they will be in touch if we want to see more.
Deadline: December 15 | Details

The Dorset Prize for Poetry
Tupelo Press’ Dorset Prize is seeking submissions of previously unpublished, full-length poetry manuscripts. The prize is open to anyone writing in the English language. This year’s judge is Tyehimba Jess. The winner receives at $3000 cash prize and a week-long residency at MASS MoCA, in addition to publication by Tupelo Press, 20 copies of the winning title, a book launch, and national distribution with energetic publicity and promotion.
Deadline: December 31 | Details

Vermont Writers’ Prize
The Vermont Writers’ Prize is accepting essays, short stories, plays, or poems on the subject of Vermont: its people, its places, its history, or its values—the choice is yours! Entries must be unpublished and 1,500 words or less. The Writers' Prize is open to all Vermont residents and students except for employees of Green Mountain Power and Vermont Magazine. Please submit only one entry.
Deadline: January 1 | Details

The Frost Place Chapbook Competition
The competition is open to any poet writing in English. The selected winner’s chapbook will be published by Bull City Press in the summer following the competition. The winner receives 10 complimentary copies (from a print run of 300), a $250 prize, full scholarship to attend the Poetry Seminar at The Frost Place, including room and board, and gives a featured reading from the chapbook at the Seminar. $28 entry fee.
Deadline: January 5 | Details

Zig Zag Lit Mag Issue.10
Submissions are open for Issue.10 for those who live, labor, or loiter in Addison County, Vermont. Zig Zag accepts submissions in any genre and topic, including fiction, nonfiction, dramatic forms, and poetry. They also accept art. You can submit up to three pieces of writing and/or art.
Deadline: January 5 | Details

Crossroads Magazine
The independent, student-run magazine based out of Burlington, Vermont, accepts very short fiction and poetry, 300 words or fewer. Submissions should be in Word or typed directly into an email. No PDFs, please.
Deadline: rolling submissions | Details

Dartmouth Poet in Residence
The Frost Place’s Dartmouth Poet in Residence program is a six-to-eight-week residency in poet Robert Frost’s former farmhouse. The residency begins July 1 and ends August 15, and includes an award of $1,000 from The Frost Place and an award of $1,000 from Dartmouth College. The recipient of the Dartmouth Poet in Residence will have an opportunity to give a series of public readings across the region, including at Dartmouth College and The Frost Place.
Deadline: none given | Details

Green Mountains Review
GMR is accepting fiction and experimental and hybrid poems. The editors are open to a wide range of styles and subject matter. Please submit a cover letter and include up to 25 pages of prose or up to five poems. $3 submission fee.
Deadline: none given | Details

The Hopper
The environmental literary magazine from Green Writers Press, is accepting submissions of fiction, nonfiction, and poetry. They are interested in work that offers new and different articulations of the human experience in nature, specifically nature writing that is psychologically honest about the environmental crisis and the impacts of mechanical modernity.
Deadline: none given | Details

Isele Magazine
Isele Magazine is seeking submissions of essays, fiction, poetry, art, and photography. You may submit up to 8,000 words of prose, six pages of poetry, or one long poem.
Deadline: rolling submissions | Details

Junction Magazine Editorial Board
If you're passionate about the vibrant community of the Upper Valley, and showcasing the myriad cultures that exist here, consider joining the Junction Magazine Editorial Board. Their areas of coverage are Arts and Culture, Food and Farm, People, and the Wild. Editors meet bi-weekly, and share pitching, writing, editing, and layout duties, as well as the (small) financial cost of the website and hosting.
Deadline: none given |

Mount Island digital magazine

To focus on their mission of supporting rural LGBTQ+ and POC voices, most of the submission categories are open only to folks who identify as LGBTQ+ and/or POC and who currently live in or hail from a rural area. They do welcome “allies” who do not identify as LGBTQ+/POC/rural to submit in certain categories, such as interviews, reviews, and blog articles. When such categories are open for “ally submissions,” they are labeled clearly as such.
Deadline: open year-round | Details

Nightingale Review
Nightingale accepts and celebrate all types of literary creative expression from queer authors, including poetry, plays, general fiction, nonfiction essays, and book/movie/music reviews. Both established and unpublished authors welcome.
Deadline: none given | Details

Six-Word Quarantine Stories
Do you have a six-word story about your quarantine to share? Tell yours on social media with the hashtag #quarantinesix, and tag @vtartscouncil so they can share your story, too.
Deadline: none given | Details

Three By Five
Share a small moment—anonymously—that has altered the path of your life. Record it on a 3" x 5" card and mail it to PO Box 308, Etna, NH, 03750. Or, take a photo of your card and email it to .
Deadline: none | Details

Listening in Place Sound Archive
The Vermont Folklife Center invites you to send in recorded interviews and sounds of daily life in an effort to open hundreds of small windows into the experiences of Vermonters during the COVID-19 pandemic. The Vermont Folklife Center will make these recordings available on their website and social media to foster connection and sharing, and will also archive the recordings for posterity.
Deadline: none | Details

Writing the Land
Writing the Land is a collaboration between local land trusts and poets to help raise awareness for the preservation of land, ecosystems, and biodiversity. Poets and land trusts are being enrolled on a rolling basis. They are especially seeking under-represented poetic and environmental voices, but welcome all poets at any stage of their career and would like everyone to contribute to this project. If you are an interested poet, please fill out the information in the contact form on their website or email Lis McLaughlin at . You will need to submit a 50- to 75-word third-person bio, three pieces of work, and list which locations or regions you are willing to travel to.
Deadline: rolling submissions | Details


Upcoming Workshops and Classes

Horace Greeley Writers’ Symposium
October 17, 10:00 am to 3:00 pm
Aspiring writers, published authors welcome. Writing workshops, networking, Q&A, and more.  Location: United Baptist Church, East Poultney | Cost: $65 adults; $20 students | Details

Expressive Writing with Vivian Ladd and Joni B. Cole
November 5, 5:30 to 7:00 pm

This workshop fuses explorations of works of art with fun and meaningful expressive writing exercises. No writing experience required, just a willing pen and curious mind.
Location: online | Cost: free | Details

The Fluidity of Memory: Finding Strength in Your Story
November 14, 9:30 am to 12:00 pm
Vermont College of Fine Arts MFA Candidate Ruth Amara Okolo is offering a workshop that gives insights into the importance of creative nonfiction. Through an exploration of the elements of the genre, she presents an approach and technique to creating, writing memories that shows life in all its color, description, and realism.
Location: online | Cost: $25 to 65 | Details

Everyday Poetry: Accessing the Poetry Within
November 15, 9:30 am to 12:00 pm
Enjoy the art of poetry with Vermont College of Fine Arts MFA Candidate Sara Stancliffe as she unearths why poetry is a life force and examines poetry as an essence. Prepare to demystify poetry in this workshop by beginning with a low-key discussion on what we think poetry is, where it shows up in our everyday lives, and how we might access poetry to elevate our everyday existence. In this workshop, we’ll share music and collectively enjoy sounds of rhythm. This will be a “come as you are” workshop where no prior poetic experience or vocabulary or even passion is needed.
Location: online | Cost: $25 to 65 | Details

Inner & Outer Weather: Character in Fiction
December 12, 9:30 am to 12:00 pm
Join Vermont College of Fine Arts MFA Candidate Jonathan Calloway as he discusses how our stories’ characters, like ourselves, each carry a lifetime’s worth of experience, much of which the outer world is oblivious. Through generative writing exercises and close readings of excerpts from a wide range of fiction authors, you will investigate how perception can be used as a tool to shape evocative environments, sharpen focus, and redefine the boundary between the individual and the whole. You will have the opportunity to share and receive direct feedback from instructors and fellow participants, as well as acquire a set of tools to further your own unique explorations of the caverns of character development.
Location: online | Cost: $25 to 65 | Details