"The Dipper" is our monthly newsletter, where we highlight readings, events, calls for submission, and other literary-related news for the coming month. If you have news or events to share, let us know!
October News
We are so pleased to bring you another great virtual author event in partnership with Hanover’s Still North Books. On October 14 at 7:30 pm, Sierra Crane Murdoch will be in conversation with Angela Evancie of VPR’s Brave Little State to discuss Sierra’s compelling nonfiction book, Yellow Bird.
Yellow Bird tells the story of Lissa Yellow Bird as she obsessively hunts for clues to the disappearance of Kristopher “KC” Clark, a young white oil worker who worked on the Fort Berthold Indian Reservation in North Dakota. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing. Sierra and Angela’s conversation is bound to be riveting. Register today to attend!
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Alexandria Hall’s debut book of poetry, Field Music, will be published by Ecco on October 6. Alexandria is a poet and a musician from Vermont (and currently a PhD candidate in California). Publishers Weekly calls Field Music, “a striking debut…This atmospheric collection will transport readers to Hall’s layered landscapes.”
We are so fortunate that Alexandria agreed do to an interview with us, and we are equally fortunate that Rena J. Mosteirin enthusiastically agreed to pose the interview questions. The interview will be published on our site on Field Music’s publication day, October 6, so check our blog then.
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In Slow Club Book Club news, we recently announced the last book in our year of reading books by Canadian authors: Dionne Brand's 2018 hybrid poetry collection, The Blue Clerk. In this intriguing book—an Ars Poetica in 59 versos—Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages.
A sampling of The Blue Clerk reveals its mesmerizing power. Listen to Dionne Brand read two of the prose poem versos on the Griffin Poetry Prize website (the book was shortlisted for the 2019 prize) and fall under its liquid language spell. We hope you decide to join us in reading The Blue Clerk beginning on October 15. If you do, please let us know; it's nice to know you're out there.
October’s Shooting Stars
A cool literary find from each of us to help light up your month!
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First Wednesdays from Vermont Humanities are back, beginning October 7. This time around we are lucky to be able to listen to these lectures from our homes. I’m particularly excited to hear Jarvis Green’s lecture, “Atlantic Is a Sea of Bones” on November 7 We’ve posted the literary lectures from this series in our calendar of events. For the rest (including some really amazing topics from dance and Muhammad Ali to bird migration to food justice), please visit the Vermont Humanities website. —Shari
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These days I often feel closed, tight, compressed into myself. I need reminders of expansiveness: drop the shoulders from my ears, breathe deeply. The other day I saw a link to a recording of Seamus Heaney reading “Postscript,” one of my favorites of his poems. Rereading it always blows me open, as the last line intends. Hearing Seamus’ own voice makes it even better.—Rebecca
October Highlights
Layli Long Soldier
Layli Long Soldier will read as part of the virtual Poetry at Bennington series on October 7 at 7:00 pm.
Samantha Kolber celebrates the release of her new chapbook, Birth of a Daughter, with a virtual event at Bear Pond Books on October 9 at 7:00 pm.
Sierra Crane Murdoch discusses her book Yellow Bird with Brave Little State’s Angela Evancie via Still North Books & Bar on October 14 at 7:30 pm.
The Brattleboro Literary Festival takes place virtually this year from October 16 to 18, featuring writers of fiction, nonfiction, and poetry.
Jason Lutes
Jason Lutes appears as a part of Virtual Bookstock 2020 on October 15 at 7:00 pm.
Phil Klay will read and discuss his latest novel, Missionaries, on October 16 at 7:00 pm. This online event is presented by both The Norwich Bookstore and Still North Books & Bar.
603: The Writers’ Conferences is online this year on October 17 from 8:00 am to 5:30 pm, with featured speaker Brunonia Barry.
Charles Simic gives a virtual reading sponsored by the Poetry Society of New Hampshire and Gibson’s Bookstore on October 20 at 7:00 pm.
Visit our calendar for detailed information about these events and more!
Worth a Listen
Artwork by Sludge Thunder
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Daniel Hornsby speaks about his debut, Via Negativa, on Marginalia. His new novel was recently recommended by Lauren Groff on Twitter.
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On the Slow Stories podcast, Sanaë Lemoine discusses her writing process for her debut, The Margot Affair.
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Middlebury grad Bianca Giaever has a wonderful new podcast for The Believer called Constellation Prize. Five episodes about strangers, religion, poetry, and art are available now.
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Dustin Schell and Alexander Chee (curators of the Still Queer reading series) were featured on Christine Lee’s podcast, Front Yard Politics, talking about gardening during the pandemic.
We're Looking Forward to These October Releases
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Mantel Pieces, by Hilary Mantel (Fourth Estate, October 1)
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Leave the World Behind, by Rumaan Alam (Ecco, October 6)
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The Hole, by Hiroko Oyamada, translated by David Boyd (New Directions, October 6)
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The Superationals, by Stephanie La Cava (Semiotext(e)/Native Agents, October 13)
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Kant’s Little Prussian Head and Other Reasons Why I write, by Claire Messud (W.W. Norton & Company, October 13)
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The Century, by Éireann Lorung (Milkweed Editions, October 13)
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The Silence, by Don DeLillo (Scribner, October 20)
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Divorcing, by Susan Taubes (NYRB Classics, October 27)
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Memorial, by Bryan Washington (Riverhead, October 27)
Calls For Submission and Upcoming Deadlines
Hunger Mountain Issue 25: Art Saves
Send your manifestos and rhetoric, your stories and poems, your essays and forays into justifying art as an answer to—and escape from?—these trying times: pandemics, forest fires, catastrophe, white-supremacy, murder, burning buildings as the only way to be heard, and fascism. Please submit prose of no more than 8,000 words, or up to three flash pieces all in one document; for poetry, 1 to 5 poems all in one file.
Deadline: October 15 | Details
Sundog Poetry Center’s First or Second Book Award Prize for a Vermont Poet
Sundog Poetry Center is pleased to announce the inaugural book award for a first or second poetry manuscript, in partnership with Green Writers Press, who will design, print and distribute the book nationwide. The final judge is Vermont Poet Laureate Mary Ruefle. A cash prize of $500 will be awarded along with 50 copies. Manuscripts should be between 48 and 64 pages. All submissions must be authored by a poet who resides in Vermont; proof of residency will be requested along with a $20 application fee.
Deadline: October 31 | Details
Sunken Garden Chapbook Prize for Poetry
Tupelo Press’ Sunken Garden Prize seeks submissions of previously unpublished, chapbook-length poetry manuscripts. The prize is open to anyone writing in the English language. This year’s judge is Mark Bibbins. The winner receives a $1000 cash prize, in addition to publication by Tupelo Press, 25 copies of the winning title, a book launch, and national distribution with energetic publicity and promotion.
Deadline: October 31 | Details
New England Review
New England Review is open for nonfiction submissions and for their digital “Confluences” series. For nonfiction, NER accepts a broad range, including dramatic works, essays in translation, interpretive and personal essays, critical reassessments, cultural criticism, travel writing, and environmental writing. The word limit is 20,000. For “Confluences,” they are seeking brief essays (500 to 100 words) in response to a book, play, poem, film, painting, sculpture, building, or other work of art.
Deadline: November 15 | Details
Bennington Unbound
October 15 to December 15
These four-week intensive online courses in fiction and nonfiction (October 15 to November 15, and November 15 to December 15) are geared toward current college and college-ready students considering an academic gap year or looking to supplement their current coursework. The courses are taught by Bennington’s award-winning graduate and undergraduate writing and literature faculty. Weekly live video class meetings foster an intimate seminar experience. Web-based discussion forums and unique multimedia resources extend the classroom community. All students will write both creatively and critically. Students earn one college credit per course.
Deadline: one week prior to the beginning of each course | Cost: $600/course | Details
Bloodroot Literary Magazine
Bloodroot is now accepting new, unpublished poetry, fiction, and essays for its spring 2021 issue. Send a Word document including 3 to 5 pages of poetry or 10 to 12 pages of fiction and nonfiction. For anything outside that scope, like an experimental form or digital project, please send a one-page proposal and they will be in touch if we want to see more.
Deadline: December 15 | Details
The Dorset Prize for Poetry
Tupelo Press’ Dorset Prize is seeking submissions of previously unpublished, full-length poetry manuscripts. The prize is open to anyone writing in the English language. This year’s judge is Tyehimba Jess. The winner receives at $3000 cash prize and a week-long residency at MASS MoCA, in addition to publication by Tupelo Press, 20 copies of the winning title, a book launch, and national distribution with energetic publicity and promotion.
Deadline: December 31 | Details
Vermont Writers’ Prize
The Vermont Writers’ Prize is accepting essays, short stories, plays, or poems on the subject of Vermont: its people, its places, its history, or its values—the choice is yours! Entries must be unpublished and 1,500 words or less. The Writers' Prize is open to all Vermont residents and students except for employees of Green Mountain Power and Vermont Magazine. Please submit only one entry.
Deadline: January 1 | Details
The Frost Place Chapbook Competition
The competition is open to any poet writing in English. The selected winner’s chapbook will be published by Bull City Press in the summer following the competition. The winner receives 10 complimentary copies (from a print run of 300), a $250 prize, full scholarship to attend the Poetry Seminar at The Frost Place, including room and board, and gives a featured reading from the chapbook at the Seminar. $28 entry fee.
Deadline: January 5 | Details
Zig Zag Lit Mag Issue.10
Submissions are open for Issue.10 for those who live, labor, or loiter in Addison County, Vermont. Zig Zag accepts submissions in any genre and topic, including fiction, nonfiction, dramatic forms, and poetry. They also accept art. You can submit up to three pieces of writing and/or art.
Deadline: January 5 | Details
Crossroads Magazine
The independent, student-run magazine based out of Burlington, Vermont, accepts very short fiction and poetry, 300 words or fewer. Submissions should be in Word or typed directly into an email. No PDFs, please.
Deadline: rolling submissions | Details
Dartmouth Poet in Residence
The Frost Place’s Dartmouth Poet in Residence program is a six-to-eight-week residency in poet Robert Frost’s former farmhouse. The residency begins July 1 and ends August 15, and includes an award of $1,000 from The Frost Place and an award of $1,000 from Dartmouth College. The recipient of the Dartmouth Poet in Residence will have an opportunity to give a series of public readings across the region, including at Dartmouth College and The Frost Place.
Deadline: none given | Details
Green Mountains Review
GMR is accepting fiction and experimental and hybrid poems. The editors are open to a wide range of styles and subject matter. Please submit a cover letter and include up to 25 pages of prose or up to five poems. $3 submission fee.
Deadline: none given | Details
The Hopper
The environmental literary magazine from Green Writers Press, is accepting submissions of fiction, nonfiction, and poetry. They are interested in work that offers new and different articulations of the human experience in nature, specifically nature writing that is psychologically honest about the environmental crisis and the impacts of mechanical modernity.
Deadline: none given | Details
Isele Magazine
Isele Magazine is seeking submissions of essays, fiction, poetry, art, and photography. You may submit up to 8,000 words of prose, six pages of poetry, or one long poem.
Deadline: rolling submissions | Details
Junction Magazine Editorial Board
If you're passionate about the vibrant community of the Upper Valley, and showcasing the myriad cultures that exist here, consider joining the Junction Magazine Editorial Board. Their areas of coverage are Arts and Culture, Food and Farm, People, and the Wild. Editors meet bi-weekly, and share pitching, writing, editing, and layout duties, as well as the (small) financial cost of the website and hosting.
Deadline: none given |
Mount Island digital magazine
To focus on their mission of supporting rural LGBTQ+ and POC voices, most of the submission categories are open only to folks who identify as LGBTQ+ and/or POC and who currently live in or hail from a rural area. They do welcome “allies” who do not identify as LGBTQ+/POC/rural to submit in certain categories, such as interviews, reviews, and blog articles. When such categories are open for “ally submissions,” they are labeled clearly as such.
Deadline: open year-round | Details
Nightingale Review
Nightingale accepts and celebrate all types of literary creative expression from queer authors, including poetry, plays, general fiction, nonfiction essays, and book/movie/music reviews. Both established and unpublished authors welcome.
Deadline: none given | Details
Six-Word Quarantine Stories
Do you have a six-word story about your quarantine to share? Tell yours on social media with the hashtag #quarantinesix, and tag @vtartscouncil so they can share your story, too.
Deadline: none given | Details
Three By Five
Share a small moment—anonymously—that has altered the path of your life. Record it on a 3" x 5" card and mail it to PO Box 308, Etna, NH, 03750. Or, take a photo of your card and email it to .
Deadline: none | Details
Listening in Place Sound Archive
The Vermont Folklife Center invites you to send in recorded interviews and sounds of daily life in an effort to open hundreds of small windows into the experiences of Vermonters during the COVID-19 pandemic. The Vermont Folklife Center will make these recordings available on their website and social media to foster connection and sharing, and will also archive the recordings for posterity.
Deadline: none | Details
Writing the Land
Writing the Land is a collaboration between local land trusts and poets to help raise awareness for the preservation of land, ecosystems, and biodiversity. Poets and land trusts are being enrolled on a rolling basis. They are especially seeking under-represented poetic and environmental voices, but welcome all poets at any stage of their career and would like everyone to contribute to this project. If you are an interested poet, please fill out the information in the contact form on their website or email Lis McLaughlin at . You will need to submit a 50- to 75-word third-person bio, three pieces of work, and list which locations or regions you are willing to travel to.
Deadline: rolling submissions | Details
Upcoming Workshops and Classes
Horace Greeley Writers’ Symposium
October 17, 10:00 am to 3:00 pm
Aspiring writers, published authors welcome. Writing workshops, networking, Q&A, and more. Location: United Baptist Church, East Poultney | Cost: $65 adults; $20 students | Details
Expressive Writing with Vivian Ladd and Joni B. Cole
November 5, 5:30 to 7:00 pm
This workshop fuses explorations of works of art with fun and meaningful expressive writing exercises. No writing experience required, just a willing pen and curious mind.
Location: online | Cost: free | Details
The Fluidity of Memory: Finding Strength in Your Story
November 14, 9:30 am to 12:00 pm
Vermont College of Fine Arts MFA Candidate Ruth Amara Okolo is offering a workshop that gives insights into the importance of creative nonfiction. Through an exploration of the elements of the genre, she presents an approach and technique to creating, writing memories that shows life in all its color, description, and realism.
Location: online | Cost: $25 to 65 | Details
Everyday Poetry: Accessing the Poetry Within
November 15, 9:30 am to 12:00 pm
Enjoy the art of poetry with Vermont College of Fine Arts MFA Candidate Sara Stancliffe as she unearths why poetry is a life force and examines poetry as an essence. Prepare to demystify poetry in this workshop by beginning with a low-key discussion on what we think poetry is, where it shows up in our everyday lives, and how we might access poetry to elevate our everyday existence. In this workshop, we’ll share music and collectively enjoy sounds of rhythm. This will be a “come as you are” workshop where no prior poetic experience or vocabulary or even passion is needed.
Location: online | Cost: $25 to 65 | Details
Inner & Outer Weather: Character in Fiction
December 12, 9:30 am to 12:00 pm
Join Vermont College of Fine Arts MFA Candidate Jonathan Calloway as he discusses how our stories’ characters, like ourselves, each carry a lifetime’s worth of experience, much of which the outer world is oblivious. Through generative writing exercises and close readings of excerpts from a wide range of fiction authors, you will investigate how perception can be used as a tool to shape evocative environments, sharpen focus, and redefine the boundary between the individual and the whole. You will have the opportunity to share and receive direct feedback from instructors and fellow participants, as well as acquire a set of tools to further your own unique explorations of the caverns of character development.
Location: online | Cost: $25 to 65 | Details
